#44 Windsor chair #2

I got this chair off the curb across the street from my house. Something about it drew my attention so I felt very validated when I discovered it is a solid maple, mid-20th-century, Windsor desk chair, possibly made by Ethan Allen; definitely a piece worth rescuing. As usual the design evolved throughout the process and I think the final result is a perfect blend of several influences.

Materials used: Minwax Furniture Refinisher, Peel-Tek masking fluid, Designer Stencils bamboo lattice stencil (c328), Rust-Oleum 2X Ultra Cover in Coastal sage ultra matte, Varathane oil-based polyurethane in semi-gloss finish.

One of the first things that struck me about the chair is the bamboo-style legs, spindles, and stretchers. Since bamboo furniture often has a mid-century vibe to it, and because the existing finish was badly scuffed in places, I decided to first of all remove the dark brown glaze finish. At this point I was thinking I would maybe just restore it to its lighter, natural color.

After cleaning the chair with a weak solution of Simple Green, I removed the glaze finish using Minwax Furniture Refinisher. It came off nicely and I was happy to find beautiful maple wood underneath.

When I started sanding I quickly realized I wasn’t going to be able to prep every nook and cranny to a standard that would have merited a clear polyurethane finish. This was when I decided to go with a Hitchcock-inspired design which includes a stenciled top back rail, some paint, and some clear topcoat. When they were sufficiently sanded, I masked off the chair parts that would stay unpainted.

At this point I had decided to use a bamboo stencil and knew that I wanted the pattern to be in the natural, maple color. So I had to find a way for the pattern to be masked off while I painted the rest of the chair parts. I found Peel-Tek masking fluid on-line and applied it to the top back rail using the stencil and a stencil brush.

Now I was ready to apply 2 cans of Rust-Oleum 2X Ultra Cover in Coastal Sage ultra matte finish. I chose this color because it is in the mid-century color palette.

It took a long time to peel off the Peel-Tek masking fluid but it worked perfectly! Once all the masking tape was also removed, the chair just needed its finishing coats of Varathane polyurethane in semi-gloss finish. The semi-gloss finish really brings out the warm glow and the chatoyance of the maple.

#29 Antique Queen Anne-style dressing table

Transformation expenses – $55.46

This circa 1910 dressing table was put to the curb just yards from my house! Its beautiful, long legs drew my attention immediately. Despite being disguised in paisley fabric I knew it could look amazing just because of its fine lines.

I secretly liked the fabric-covered look but it had been very badly done and was falling off in places. A lot of it just peeled away and the rest came off after a little dampening.

I was delighted to find the top and drawer fronts in pretty good condition, but other parts of the piece were seriously damaged, including a leg that had obviously been broken and shoddily repaired.

After much research and deliberation I realized it would not be worth attempting a full restoration so I decided on a combined restore & refinish approach. I started by restoring the drawer fronts, which have a beautiful tiger maple veneer. Fortunately the fabric adhesive came off with a dilute soap solution and did not require any solvent. Once they were cleaned, I used Howard Restor-A-Finish in walnut followed by Howard Feed-n-Wax oil-based wood conditioner.

The Chippendale-style drawer pulls were so tarnished they were nearly black (top right). I considered leaving them that way but realized they would complement the restored drawer fronts more if they were refreshed. I set about polishing them, only to find they are brass plated, not solid brass. The Bar Keeper’s Friend I was using removed some of the brass plating (top left) but all other gentler approaches I tried were ineffective. I decided to go ahead and polish them all then touch them up with Rust-Oleum’s Metallic in gilded brass (bottom).

When it came to the table top, allowing myself to refinish rather than restore had a couple of advantages: For one thing it would have been impossible to remove the adhesive without damaging the old finish and for another I could now use a more modern, durable ,and practical polyurethane. I got back to the bare wood using stripper and sandpaper. I then applied Rust-Oleum wood stain in American Walnut, followed by 3 coats of Varathane polyurethane in semi-gloss. The color perfectly complements the drawer fronts.

Finally it was time to tackle the frame and legs. The biggest challenge of this piece was the adhesive used to attach the old fabric covering. It behaved differently on every different surface. Some mineral spirits thinned it out in places but would not remove it completely. In the end there was nothing for it but to sand it off. Using 150, then 220, then 400 grit sandpaper I eventually removed all traces of adhesive. I used professional wood filler to repair some dings, cracks, and damaged veneer.

Once all the cavities were masked off ,I applied primer followed by two coats of Rust-Oleum Canyon Black in satin finish. The piece was then ready to reassemble.